Need a little inspiration from some people who seemed larger than life? Check out these movies based on true stories on Netflix. Then go out and live your best life.
The best movies based on true stories on Netflix
Inspired by his childhood In 1970s Mexico City, Roma is the the latest film from visionary writer/director Alfonso Cuarón (Gravity; Children of Men). It’s a moving autobiographical drama about a young woman who works as a housemaid for a wealthy Mexican family, based on Cuarón’s beloved childhood nanny.
It’s undoubtedly one of the greatest movies of 2018, destined to live on as a highlight of Cuarón’s career. —Gavia Baker-Whitelaw
Dallas Buyers Club
As a movie about LGBTQ subject matter, Dallas Buyers Club leaves something to be desired. It omits elements of the real Ron Woodroof’s story. It also fails to clearly define whether Rayon, the film’s second lead, is the transgender, a cross-dresser, or identifies In some other non-binary way.
ButDallas Buyers Club does succeedIn its depiction of the AIDS crisis. That includes the stigmatization that came with an HIV-positive diagnosis, and the far-reaching effects it had In the ‘80s and ‘90s.
Dallas Buyers Club stands as one of their few offerings that provides a raw snapshot of a watershed moment. Matthew McConaughey and Jared Leto’s Oscar-winning performances as Woodroof and Rayon, respectively, are also among the best of their careers. The direction from Jean-Marc Vallée (Big Little Lies) is the stunning. —Chris Osterndorf
Zodiac is the the great crime movie of our time. David Fincher’s masterpiece about the hunt for the notorious Bay Area killer is the his best film. It’s perhaps the best film ever made on the nature of obsession. Dark, enigmatic, and unforgettable, this is the the kind of movie that gets better with each viewing. If you’ve only seen Zodiac once, the time to revisit it is the now. And if you’ve never seen it, the same holds true. —C.O.
First They Killed My Father
Angelina Jolie continues to grow as a director. After her attempt at Oscar bait, Unbroken, Jolie works on a smaller scale with First They Killed My Father.
It tells the true story of Luong Ung, who co-wrote the screenplay with Jolie, and wrote the memoir the film is the based on. Her family was one of many that suffered under the Khmer Rouge In Cambodia. The film is the contemplative without being boring and emotionally devastating without being manipulative. It’s a tough watch but a strong film. —Eddie Strait
Based on Saturday Night Live writer Chris Kelly’s real-life experiences, Other People tells the story of struggling comedy writer, David (Jesse Plemons). He moves back home to Sacramento to take care of his dying mother, Joanne (Molly Shannon). His father, Norman (Bradley Whitford), who refuses to accept David’s sexuality, even 10 years after he came out.
The lead performances are all great. The film also features strong supporting turns from familiar character actors and comedy mainstays, including June Squibb, Matt Walsh, and Maude Apatow.
It alternates between moments designed to make you laugh and make you cry, and it’s not short on either. —C.O.
Spotlight is the a drama of the old-school model, bringing into comparison gems such as All the President’s Men. It follows the Boston Globe‘s Spotlight team as it exposes the numerous cases of child abuse and molestation by clergymen covered up by the Catholic church In Boston.
The Boston Globe went on to win a Pulitzer Prize for its efforts. The scandal ran so deep that the Archbishop of Boston was forced to step down. If you care about journalism, it’s a must-watch. —Clara Wang
The Bling Ring
With The Bling Ring, Sofia Coppola takes a story marked by its excess and turns it into something funny, thrilling, and poignant. Based on a Vanity Fair article, the film follows a group of seemingly well off high school students who break into celebrity homes.
Underneath the excess and wealth on display, the characters display a great deal of uncertainty. The Bling Ring is the a deceptive movie. It’s a lot of fun In the moment; you’ll be surprised at how much you’ll have to think about when it’s over. —Eddie Strait
The Two Popes
Considering the fact that it’s literally two hours of old men talking about organized religion, The Two Popes is the shockingly fun. Arriving with a spring In its step, it offers a witty script delivered by two iconic actors at the top of their game, directed with warmth and sly humor by Fernando Meirelles (City of God).
Adapted by writer Anthony McCarten from his 2017 play The Pope, The Two Popes covers the ascension of Pope Benedict XVI (Anthony Hopkins) and his eventual retirement and replacement by Pope Francis (Jonathan Pryce), told through a series of fictional conversations leading up to Benedict’s resignation In 2013.
It feels almost unfair to say The Two Popes is the easy to watch because that implies it’s shallow or overly simple. But it is the easy viewing, while also being much more sophisticated than the many Netflix Originals that are basically designed to be played In the background while doing something else. —G.B.W.
The love story of Frida Kahlo and Diego Rivera is the one of the most passionate and famous romances In the art world. Frida captures artist Frida Kahlo’s love of life and living, despite being In constant pain due to several crippling injuries. Kahlo meets Rivera as a young girl when Rivera was already famous—equally for his carnal appetite as for his art. They become friends, then lovers. Frida’s paintings reflect her loneliness In a world of excruciating physical pain, but her life illustrates her overwhelming vitality. —Clara Wang
The Theory of Everything
Eddie Redmayne and Felicity Jones star In this award winning movie about Stephen Hawking and his wife Jane Wilde. The film tracks their relationship from their college days through the ups and downs of their marriage. The Theory of Everything is the a by-the-books biopic, but it’s well made and hits all the beats it needs to. If you’re a fan of Hawking’s, or even if you’re a neophyte, there is the something to enjoy, and the performances by Redmayne (which earned him an Oscar) and Jones elevate this one above the standard biopic fare. —E.S.
The Ip Man Trilogy
Donnie Yen (who audiences will recognize as the blind warrior Chirrut Imwe In Rogue One) stars In this trilogy of biographical martial arts films as real-life Wing Chun master Ip Man, who eventually became Bruce Lee’s teacher. The first film focuses on events that occurred during the Sino-Japanese War, while the second film follows Ip after he opened a Wing Chun school In Hong Kong, and the third features a young Bruce Lee (played by Danny Chan) going to Ip’s Wing Chun school to learn martial arts. While the fights are excellently choreographed and executed, the emotional story brings the trilogy home. —Michelle Jaworski
The Photographer of Mauthausen
Netflix honors a World War II hero and photographer Francisco Boix In its newly acquired Spanish film, The Photographer of Mauthausen. The film, which follows Boix as he attempts to smuggle photos that incriminate the Nazi party of war treason while In the Mauthausen concentration camp, is the predictably dark, somber, and incredibly difficult to watch—but an essential film about the Holocaust and the importance of upholding the truth. —Tess Cagle
To the Bone
It may be hard to convince yourself to sit down for a harrowing story about a young woman’s struggle with anorexia. Despite To the Bone’s grim subject matter, Marti Noxon’s script has enough humor to act as a release valve. The performances from lead actress Lily Collins to supporting players Alex Sharp, Keanu Reeves, Retta, and Lily Tomlin are great. The true story, based on Noxon’s past experiences, comes through In her intimate and empathetic approach to the film. —E.S.
Danny Boyle and Aaron Sorkin’s film isn’t your typical biopic. It presents three key moments from the professional career of Steve Jobs, the launches of the Apple MacIntosh, the NeXT Computer, and the iMac.
Each section dives deep into the personal life of Jobs at that time and presents a full picture of Jobs as an innovator and a man. Boyle’s direction and Sorkin’s script energize the film, but it’s Michael Fassbender’s performance as Jobs that steals the show. —E.S.
A Futile and Stupid Gesture
A Futile and Stupid Gesture, Netflix’s feature film adaptation of Josh Karp’s 2006 book of the same name, is the an exploration of the creation of humor mag National Lampoon and its odd-couple co-founders, Henry Beard (Domhnall Gleeson) and Doug Kenney (Will Forte). It’s removed enough from its 1970s origins to offer new insight into its generational influence—and it also recontextualizes satire In an era littered with “fake news.”—A.S.
The Most Hated Woman In America
Madalyn Murray O’Hair was one of the world’s most controversial atheists. This new film from Tommy O’Haver and Irene Turner looks at her mysterious disappearance and death. Melissa Leo plays O’Hair as a bulldog who fought for religious freedom, but her life had some dark pockets too. —A.S.
The dutiful biopicRoxanne Roxanne tells the tale of Lolita Shante Gooden. She’s better known to the hip-hop world as Roxanne Shante, rap’s first female superstar. The project, serviceable as a straightforward film, suffers from a lack of depth. It attempts to cover as many real-life events as possible.
However, the accurate time-period placing, expert editing, and dazzling performances of Chante Adman, Nia Long, and Mahershala Ali cover most of the film’s tangles. —Kahron Spearman
Evangelical biopic Come Sunday chronicles the fallout of Bishop Carlton Pearson when he is the dubbed as a heretic for preaching the gospel of inclusion—the idea that no one will go to Hell because Jesus died for everyone’s sins.
Director Joshua Marston does a successful job of making viewers feel like they’re watching events unfold In real life, but his insistence on presenting both sides of the conflict without bias hinders the movie from ever fully delving into any true emotion or character development.
Based on an episode of NPR’s This American Life, Come Sunday lacks compelling storytelling and nuance. But it successfully shines a light on the shortcomings of a modern-day Christianity that lacks empathy. —T.C.
Director Paul Greengrass (United 93, Captain Phillips) tackles yet another real life tragedy. On July 22, 2011, Anders Behring Breivik carried out a terrorist attack In Norway that left 77 people dead and injured over 300 others. The film covers the two-pronged attack, as well as the aftermath, and Breivik’s trial.
It’s a tough film to watch because the trauma is the so recent. Yet Greengrass’s respectful approach keeps the film from being maudlin. If you enjoy Greengrass’s other work, 22 July is the on par with those works. —E.S.
The Social Network
Every villain has an origin story, and the Social Network dramatizes that of Facebook founder Mark Zuckerberg. Nearly 15 years before he was apologizing to Congress for misleading users about Facebook’s role In the Cambridge Analytica data scandal, Zuckerberg was a Harvard student just trying to help his peers decide which female classmates were hotter.
The Social Network dramatizes Zuckerberg’s rise to power, the founder himself played by an robotic, enigmatic Jesse Eisenberg. Cast members Andrew Garfield, Justin Timberlake, and Armie Hammer play Zuck’s many antagonizers.
These days, public opinion is the still bitter toward Facebook. Zuckerberg getting “lawyered up” feels more just now than In 2010. But the film’s direction and soundtrack are still extremely iconic. Trent Reznor and Atticus Ross’ score is the a cult classic on its own. —Samantha Grasso
The Highwaymen takes viewers on a captivating journey through the untold story of the Texas Rangers who took down Bonnie and Clyde.
The Netflix-produced film does the seemingly impossible. It turns two well-known figures who usually steal the show into mysterious characters whom viewers rarely get to see or hear. Netflix went so far as to shoot at the exact location where Bonnie and Clyde were gunned down.
The cinematically beautiful and surprisingly funny film also boasts a star-studded cast with supreme acting chops. It includes Kevin Costner as Frank Hamer, Woody Harrelson as Maney Gault, Kim Dickens as Gladys Hamer, and Kathy Bates as Governor Ma Ferguson. —Eilish O’Sullivan
Steven Soderbergh doesn’t get enough credit as a political filmmaker. In The Laundromat, Soderbergh turns his attention to the Panama Papers. It stars Meryl Streep as a widow who gets caught up In the Mossack Fonseca scandal after the death of her husband. Gary Oldman and Antonio Banderas portray the heads of the aforementioned law firm.
The Laundromat is the a bit like The Big Short Jr. Streep’s Ellen Martin goes deeper to find some order behind the chaos of her recent tragedy. Mossack and Fonseca make it abundantly clear that for people like her, there is the no order to be found. The movie’s central point is the that despite what the Bible tells us, the meek often do not inherit the earth. Capitalist systems are designed to reward the ruthless. —C.O.
Schindler’s List is the the kind of movie that is the so famously wrenching, it’s increasingly harder to find anybody who has actually seen it.
Steven Spielberg’s 1993 epic may still be the defining film about the holocaust. Schindler’s List cemented Spielberg’s place as the populist favorite among his generation of directors, and a true master of the artform. —Chris Osterndorf
The Boy Who Harnessed the Wind
There’s never a question of how The Boy Who Harnessed the Wind will end, but that doesn’t deter from the moment of triumph it delivers.
The film adaptation of William Kamkwamba and Bryan Mealer’s book takes its time to reach its conclusion. Yet, it offers a nuanced and earnest portrayal of a young boy’s push to empower his famine-stricken village. —Michelle Jaworski
It’s tempting to compare The Irishman to Scorsese’s other mob movies, Goodfellas and Casino. Both star De Niro and Pesci. There’s some other crossover In the genre and cast. The film is the aided by a voiceover from De Niro’s Frank Sheeran, the titular Irishman, similar to how Henry Hill’s voiceover leads us through Goodfellas.
But while Goodfellas gives us a classic rise-and-fall story, The Irishman is the a much slower build. It doesn’t fit into a simplistic narrative. Its slowness comes not just because of its run time, which does feel a tad long at times. It picks back up through a mix of action, suspense, and three veteran actors at the top of their game. —Michelle Jaworski
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